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The NetherReal Cyberzine Book Review (by Sean Rodgers)—

The Horror In The Museum And Other Revisions
by H.P. Lovecraft and others.
Published by Carroll & Graf, 1996


Stories: The Crawling Chaos, The Green Meadow, Winged Death, The Horror In The Museum, The Diary of Alonzo Typer, The Horror In The Burying Ground, The Electric Executioner, The Curse of Yig, The Mound, Two Black Bottles.

Price: $4.95 in the U.S, $6.95 in Canada.


Overview

S.T. Joshi mentions that Lovecraft put less work into his revisions than his regular stories, and I suppose this book stands as testament to that.
    This volume was originally published by Arkham House in 1970 as a collection of 24 stories that Lovecraft reviewed and revised (which is how he earned most of his income during his adult life). A reprint, with corrections by S.T. Joshi, was published in 1989 (?). Carroll and Graf have selected what they believe to be the best of those 24 tales and published it in this volume.
    The Horror In The Museum is the sort of volume one might buy at an airport gift shop counter or a secondhand bookstore (though the low price makes that sort of unnecessary). In other words, it isn't the sort of book one buys and keeps for years on end. These tales range the gamut from comical (The Horror In The Museum, The Electric Executioner) to confusing (The Green Meadow), to strange (The Crawling Chaos). However, one tale in this book is actually worth reading, The Mound (more on that later).
    It's not a good volume, to say the least. Thank God the cover art is somewhat subdued, unlike DAW's Miskatonic University collection. One thing I'd also like to mention is the low, low price: I couldn't believe that the book was selling for $6.95 Canadian (I live in Toronto). As I mentioned before, it makes a good read on a plane trip.


The Stories

The book opens with two rather weak stories, The Crawling Chaos and The Green Meadow. The latter is probably one of the most confusing short stories I have read, with a whole mishmash of locales and themes.
    Winged Death is passable, I suppose (for a better take on "the rival insect collector dies and haunts narrator in body of insect" theme, read the story The Moth by H.G. Wells).
    The Horror In The Museum is a comical story, to say the least. The mad ravings of Rogers make for a few giggles, and the idea that the statue brought by Rogers to the museum is the actual god is curiously un-Lovecraftian. Whether Lovecraft meant for the story to be comical, I'm not sure.
    The Diary of Alonzo Typer is a bit cliché. The narrator visits an evil old house, slowly goes insane, and realizes himself to be descendant of a monstrously evil family. Gee, I don't think Lovecraft ever used those sorts of plot devices before. I wouldn't mind if it were good, but to top it off, it is not very well written.
    The next story, The Horror In The Burying Ground, is all right, I guess, but suffers a bit, like many other stories in this book, from overused plot ideas. It has shades of In the Vault.
    The next one, The Electric Executioner, is slightly funny, or rather ironic, in the way the narrator saves himself from the madman. I won't reveal how he does it for people who haven't read it, but I must say, that guy would make a good politician.
    The Curse of Yig is middling. It is indeed interesting to see how Yig is so much like a certain Lovecraft god that we've all heard mentioned before...it is slightly tragic and ironic.
    As I said before, The Mound is no doubt the best story in the book. It manages to mix in Spanish explorers, the Mound People, Native Americans, and a huge, ancient city existing below ground. It also gives a good explanation of the source of the El Dorado myths and the lost cities of gold that the Spanish searched for, but never found. It's the diamond in the rough, and I would say buy the book if only to read this story.
    Finally, Two Black Bottles is an slightly creepy little story along the scales of The Terrible Old Man, or Cool Air.


In conclusion, if you haven't read The Mound, I would recommend getting this book. If you have, you should skip at least this edition and get Arkham House's newly corrected printing with lots more stories. If I ever get my hands on a copy of that, I'll compare the two.

Sean Rodgers


You can contact Sean Rodgers by email at seanr@rogerswave.ca.
Copyright © 1998 Sean Rodgers. All Rights Reserved.
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